ALthough I understand it, I am not all that favorable with the whole chord within a chord idea. A Cmaj9 sounds like a Cmaj9 chord, regardless of the chord(s) inside. Chord Substitution is the same way, the chord still sounds like the chord it is rather than the chord it is substituting. A C13 chord can carry inside it, any chord that exists within a C major scale. But it doesn't sound like any chord other than the C13 chord. A study for the intelligent theorist but not for the aural musician. Maybe a shortcut for the pianist though.
Man theory is a bust, for every point made there is an equal counterpoint.
"My whole life is a dark room...ONE BIG DARK ROOM" - a.f.i.